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Agnes Jamieson Gallery

The Agnes Jamieson Gallery is named in honour after Dr. Agnes Jamieson. Operating since 1981, the AJG is entrusted to preserve and present the life, work and ongoing legacy of André Lapine ARCA (1866-1952) and to exhibit work by local and regional visual artists.

The AJG works to develop opportunities for meaningful connections to contemporary and historical art through exhibitions, education and programming.

The Agnes Jamieson Gallery is a Recommender for the OAC Exhibit Assistance Program for Zone 4 Ontario Arts Council Exhibition Assistance & Application Form

André Lapine

The Agnes Jamieson Gallery collection includes over one hundred works by André Lapine (1866-1952), one of Canada’s foremost artist. Born in Russia (in the area that is now Latvia), Lapine trained with Professor Rose from the Imperial Acadamie of Petrograd. He gained further training in Paris and then traveled to through France, where he reported to have painted nearly fifty commissioned portraits, and ended in Holland. Here he was accepted into a prestigious group, St. Lucius Society, by Piet Mondrian. In 1901 he married and the couple immigrated to Canada in 1905 to northern Manitoba; working the land for one year. After this they went to Toronto, where Lapine quickly became a leading artist. He worked for Brigden’s Ltd. where he was known for his ability to render lace and fur for images in the Eaton’s catalogue. In 1909 Lapine was accepted into the Ontario Society of Artists and in 1919 to the Royal Canadian Academy of Arts. Lapine’s paintings were very popular. He was described in the media as the best illustrator of horses in North America. He was society’s “Gentle Cavalier” and was part of the centennial exhibition to the Tate in London England as well as having his work accepted into a number of public art galleries across Canada.

He visited Minden as many of the well-known artists of the day did. Frank Welch, the town Reeve, was friends with Lapine, taking care of him in his final year. Welch acquired 42 of Lapine’s paintings during this time, which he bequeathed to the town of Minden. Dr. Jamieson knew this was a wonderful opportunity for the community and working with volunteers and keen determination, ensured a public gallery was created to properly house and showcase this collection.

2021 PROGRAMMING - Exhibitions | Receptions | Art Talks

OAC Zone 4 Juried Exhibition:

July 22 – August 28
please call for more information 705-286-3763
A first for a juried opportunity for artists living in Zone 4 of the Ontario Arts Council Exhibition Assistance program. This is an area from Cobourg to Ottawa, Kingston to Minden and includes Peterborough. 35 artists were selected, one piece per artist will be on display. A theme of landscape is prevalent, a variety of mediums represented. Jurors: Mary Anne Barkhouse, Celeste Scopolite and Laurie Carmount.

Means + Motive

August 31 – September 25
please call for more information 705-286-3763
Co-Curated by Laurie Carmount and Mary Anne Barkhouse
This exhibition is an opportunity for faculty from the Visual and Creative Arts Diploma  at the Haliburton School of Art + Design, Fleming College, to dialogue  about their own practices and processes used in their most recent work. The faculty involved are  Rose Pearson, Dar Bolahood, Elinor Whidden, Michael Bainbridge and Kate Carder.


September 28 – November 27
Opening reception Artist Talk: October 2 1pm to 3pm
Barbara Brown + Cynthia O’Brien

“The Exhibition Returning is inspired by the theme of memento mori – a reminder of human fragility, mortality and the inevitability of death. In traditional Western painting it is represented symbolically by flowers, fruit and other objects, but here memento mori has been transposed into immersive installations created collaboratively by Barbara Brown and Cynthia O’Brien. 

This is the first time that Barbara Brown (photography) and Cynthia O’Brien (clay sculpture) have chosen to work in a collaborative manner – their new works are the fruit of their combined artistic vision. Though the artists work in different media, both employ the changing beauty and delicacy of plants and flowers as a commemorative act and as an observance of transience, loss, memory, decline and rejuvenation in all living things. Brown and O’Brien’s installations also reflect the emotional impact that working as artists in a long-term care residence, where they befriend individuals who are near the end of their lives, has had. Their work reveals profound insights gained from this experience.”

  • Judith Parker, Curatorial Collaborator
2020 Gallery Programming

The 2020 Gallery Programming is available to view by downloading the following:

2020 Gallery Programming

2019 Gallery Programming

The 2019 Gallery Programming is available to view by downloading the following:

2019 Gallery Programming

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